In a desolate stretch of the Sahara, a mysterious car accident leaves a young woman lost and alone. Jake, a reclusive architect, finds her unconscious. He drives her to the nearest doctor, to discover that she's suffering from post-traumatic amnesia. Intoxicated by the woman's beauty, Jake claims to be her husband. He names her Kitty and takes her to his remote desert home to recuperate.

As Kitty struggles to come to grips with who she is, Jake invents an elaborate life they can share – the life he has always yearned for. Little by little, Kitty begins to fall in love with him. But when shreds of her past begin to surface, Jake takes steps to ensure he will not lose the love of his life...

"CRITIC'S PICK! Shot in Morocco between searing sunlight and pillowy dunes, 'You Go to My Head' is a mysteriously elusive romance whose location is almost overpoweringly tangible. (The sensual cinematography is by Stijn Grupping.) Hacène Larbi's eerily dissonant score is as perfectly spare as the film's emotions, yet it imbues Kitty's situation with a mesmerizing, inchoate danger. The movie is clamoring to erupt into melodrama, but de Clercq, content to wallow in teasingly luscious and enigmatically staged images, happily isn't listening." -Jeannette Catsoulis, THE NEW YORK TIMES

"VISUALLY STUNNING! From its desert landscapes to its principal setting of an architecturally distinguished house to its extremely photogenic lead actress, every frame of the psychological thriller proves visually stunning to behold...an atmospheric mood piece akin to Kubrick or Antonioni. Delfine Bafort delivers a mesmerizing, fascinatingly enigmatic turn that keeps us fully invested in her character's fate. By the time 'You Go To My Head' reaches its surprising conclusion, you will have become thoroughly caught in its mysterious grip." -Frank Scheck, THE HOLLYWOOD REPORTER

"HITCHCOCKIAN! 'You Go to My Head' is a warped and lush tale of obsession, deception, and romance. Stijn Grupping's stellar cinematography beautifully captures the Moroccan Sahara Desert setting...it is a breathtaking, yet deadly location. With a hypnotic use of color, light, and sound, the film operates like an unworldly dream."
- Andrew Stover, FILM THREAT

116 minutes, color
Primarily in English (with some French, Flemish & Berber with English subtitles)